“She masters the instrument in an extraordinary way. It is as if such problems as technique, sound palette and interpretation do not exist for her. All of it sounds very convincing” – These were the words about Natalya of one of the greatest conductors of the twentieth century, Evgeniy Svetlanov

She started her musical education aged three, went on to study at a special boarding school for musically inclined children in Lviv, and then continued her musical education at the Lviv Conservatory. She finished postgraduate studies at both the Chopin Academy of Music in Warsaw and at the Royal College of Music in Stockholm.

She has performed throughout the whole Europe, USA ,Japan, Argentina in the most famous concert halls such as Santory Hall (Tokyo), Berwald Hall (Stockholm), Konserthuset (Stockholm), de Singel (Antwerp), Auditori Winterthur (Barcelona), Musikhalle (Hamburg), Teatro Colon (Buenos-Aires), in all major Polish concert halls, at festivals such as Beethoven-festival and Mozart festival, La Folle Journee, Gdansk Piano Autumn (Poland), Schubertiada (Spain), Palaces of St. Petersburg (Russia). She cooperated with the Swedish Radio Symphony Orchestra, Mozarteum (Germany), Orchestre d'Auvergne (France), Philharmonic Orchestra of Krakow, Wroclaw, Gdansk and Poznan (Poland), Norrlandsoperan (Sweden) under the direction of such conductors as Michael Zilm, Christopher Hogwood, Evgeniy Svetlanov, Arie van Beck, Jacek Kaspszyk, Marek Mos, B Tommy Andersson, Robert Stehli.

Having a vast repertoire, she does not only perform on a contemporary grand-piano but also elegantly masters historical instruments.

Natalya has made numerous recordings for radio and television (Swedish Radio P2, BBC Radio 3, Belgian and Spanish radio, Swedish television TV4, Polish Radio and TV), and commercial recordings for companies such as BIS Records, NAXOS (Chopin; received 5 stars in Gramophone, Diapason, Svenska Dagbladet), OPUS 111, Pro Musica Camerata, Musicon (Bach, Messiaen; received 5 stars in the magazine “Music of the 21th century”). Her latest CD Consolation - Forgotten Treasures of the Ukrainian Soul (BIS Records) has gotten the highest critical acclaim and was deemed the highlight of the year in German newspaper MittelBayerische.

She is prizewinner of the Fifth Nordic Piano Competition in Nyborg (Denmark, 1998), the World Piano Competition in Cincinatti (USA, 1999), and in 2001 she was awarded a special prize at the International Piano Competition Umberto Micheli in Milan, Italy. She has taught at the Royal College of Music in Stockholm. In 2000 she received the prestigious Anders Wall prize, in 2017 she was awarded Stockholm city's culture grant, based on her contribution to Stockholm’s cultural life, and in 2022 she was awarded the Church of Sweden's prestigious cultural stipend for her artistic research project Rethinking the Well-Tempered Clavier. In 2024 she recieved the Bringborn music prize for her individual creativity and she is the Global Music awards 2024 Gold medal winner, the first Swedish pianist to recieve the prize.

Natalya is a frequent jury member of different international piano competitions and regularly teaches at masterclasses, and founder of the Ostroh International Chamber Music Course. She is the founder (2014) and Director of the Ukrainian Institute in Sweden and artistic leader of several music festivals over the years (e.g., European Festival: Ukrainian Spring). In June 2021 she received her Doctor of Arts title for her project on George Crumb’s Makrokosmos, and in June 2023 she earned the PhD degree in artistic research at the Grieg Academy, University of Bergen for her project Rethinking WTC: A New Interpretation of the Well-Tempered Clavier by J. S. Bach.